He plays the idea three times and changes it at beat two on bar three. Notice the first two bars of Fours #2, Elvin plays this three-beat phrase that goes over the bar line. Polyrhythmic PhrasingĪnother contribution from Elvin’s playing is his polyrhythmic phrasing.Įlvin would play odd meter phrases on top of the 4/4 bar.įours #2 and #3 are great examples. Those shift rates from 8th note triplets to 16th notes is one of Elvin’s trademarks.
If you analyze Elvin’s playing, you’ll notice he does this quite a lot, both comping and soloing. That type of rate shift gives the impression of the phrasing speeding up, and also a feeling of flowing over the tempo. In Fours #1, notice how he uses 8th notes triplets for most of the phrase, and suddenly in beat 2 of the last bar, he goes into a run of 16th notes. Rate ShiftĪlthough I wouldn’t say Elvin was the first to do this, the way he introduced the shifts was unique.Įlvin would make the change in unexpected or uncommon places, like on beat 2 or beat 4 of the bar, giving the impression of playing odd phrases on top of the 4/4 bars. There are four aspects of this solo that I would like to point out, which I feel are essential if we want to absorb and understand Elvin’s playing. Here is the track, so you have an idea of how it sounds like. It looks simple, but getting the right vibe and understanding the phrasing takes a while. Nevertheless, it has many of the elements we want to learn from when studying Elvin’s playing. I find this solo simple enough to get your feet wet with Elvin’s style. I transcribed the trading-4s section from the track “Anthropology” from Elvin’s album “Dear John C.” In this lesson, we’ll be breaking down some Elvin’s phrasing and orchestration which made his sound so unique within the jazz drumming language. His innovations transformed the way drummers approached the drum set and up to these days Elvin we can feel his influence in pretty much every jazz drummer playing in the scene. His work with The John Coltrane Quartet in the 60’s changed the jazz drumming world. Understanding Elvin’s comping style is going to make it easier for you to understand what his soloing is about.Īs I said before in the previous lesson, Elvin Jones is one of the most innovative and influential drummers of the post-Bop era. If you have not checked it out, I recommend you do so before moving forward they are highly related.
#Elvin jones transcription how to
Understanding Jones’s approach is relevant to a complete understanding of jazz drumming because his style hasīeen so influential in jazz music and in other musical genres as well.A few months ago, I shared with you a lesson on Elvin Jones, entitled How To Comp On The Drums Like Elvin Jones, in which I discussed the comping side of the great late Elvin Jones’ playing. Jones’s recordings with the Coltrane Quartet between the years 1960-65, informed by my ownĮxperience as a jazz drummer and educator, will support my analysis. Jazz pedagogy, reflections from jazz musicologists, and my own transcription and analysis of To evaluate Jones’s style and contributions, I will concentrate on his unique approach toĪccompaniment (comping), four-limb independence, polyrhythms, and ride cymbal patterns. Shaped Jones’s unique style and his influence on the evolution of jazz drumming. These various resources will help demonstrate what Historians are the basis of the research. A history of previous innovations, transcriptions of recordings, as well as books,Īrticles, interviews, and observations from other drummers, musicians, musicologists, and
Will focus on the height of Jones’s performing career with the John Coltrane Quartet from 1960 Purpose of this thesis is to examine how Jones influenced its evolution. Genres, jazz musicians, and fans of jazz music, relatively few scholarly works have discussed inĭetail what he did to shape and define the complex style of modern jazz drumming.
While Jones’s name is internationally known, especially among drummers of all music Has been immensely influential to both jazz and funk music. Melodic and energetic playing, which drew inspiration from African and Caribbean drumming Legendary jazz drummer who left his mark on both the history and the sound of jazz music. Often referred to as the father of modern jazz drumming, Jones is a We have come to know as modern jazz drumming, one of the main influencers of modern jazzĭrumming is Elvin Jones. Although many drummers have contributed to the progress of the style Language en Abstract Jazz drumming has substantially evolved over the years and has done so with the help of Title Elvin Jones: The evolution of modern jazz drumming Author(s) McKnight, Markiquis Jabbar Issue Date 2023 Keyword(s)
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